Marcus Flor vs. Constantine

How much exposition do you need in a movie? This is the question I asked myself while rewatching Constantine.

It's an interesting time capsule to the mid 2000s, having aged well in some areas, and not so well in others. One area that stuck out was how it adapted its source material. You might not know it, but Johnny Constantine comes from the comic Hellblazer.

You might not know it, but this film seems to think you do. A lot happens in this movie that goes over-explained, or not explained at all. So much occult stuff gets glazed over, it feels like you're getting half the story.

This isn't to say there isn't stuff to enjoy here. There definitely is. I like the way it plays with the lore of angels and demons, making a world that's similar to ours, but different at the same time. The characters/actors aren't too bad either. They serve the story well enough.

All in all, Constantine is a middle-of-the-road 2000s flick. It's a Good, and I'd recommend it if you want some post-Matrix Keanu Reeves.

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