There's nothing like a good ghost story, and The Woman in Black is just that. The 1989 British TV adaptation of Susan Hill's horror novel scared the shit out of me, and so does this feature version by director James Watkins and screenwriter Jane Goldman. A scary tale is a scary tale. And what a triumphant return to glory for Hammer Films. This has all the mood, atmosphere and old-school chills one would expect from the classic house of horror. The second act is particularly frightening, with one shorts shitting moment after another. To call it unrelenting would be an understatement. But that's how we like our terror in The Basement -- unrelenting. And kudos to Daniel Radcliffe for erasing all memory of that boy wizard with a great performance here. This is a horror tale for grown ups, and he's more than up for the part. A Good from me.
COVID-19 has impacted pretty much everything and, although some industries have slowly been able to get rolling again, sport is one that remains in limbo. This holds true for the world of Thrash Wrestling, which we in The Basement are a proud sponsor of. But the men and woman of Thrash Wrestling continue to challenge each other, and entertain fans, in a creative way. Which is why Jason and Shawn welcome Thrash Wrestler Justin Cider into the ring... err, Basement, when From The Basements takes over the Radio NL 610 AM airwaves at 6:05 tonight! Cider will update listeners on how Thrash Wrestling continues with social distancing in place. And he'll shed some light on the future of the sport, how people can support his Fanily, and more! And stick with us, as Justin joins The Basement Boys for a review of the new horror/comedy Homewrecker starring Alex Essoe and Precious Chong. Does this female-focused comedic thriller deliver the goods? Tune in after the 6 o'clock news ...

Completely agree, one of the best horrors in recent years, loved the shots of the marsh and gardens surrounding 'the house'.
ReplyDeleteThanks man! And yes, it was very moody. And I think all the ghost stuff was done live, no CGI.
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