Skip to main content

The Late Night Double Feature, Lone and the Mark Pellington interview

Return with us once again to those thrilling days of so-bad-it's-good-1950s-drive-in cinema. That's right, it's time for The Basement Boys to check out the latest from the Dean of Mihmiversity himself -- Christopher R. Mihm.

This time Basementites are treated to not one, but two modern/retro classic with The Late Night Double Feature. How groovy is the sci-fi/horror tale X: The Fiend from Beyond Space and the creeptacular The Wall People? Does Mihm's latest expand his repertoire or provide more of the same? Stick with us!

And stick around for something completely different with Lone, a collaboration between Arlington Road and The Mothman Prophecies director Mark Pellington and musician Chelsea Wolfe. Is this 57-minute flick an extended music video or experimental art film? Or both? Jason and Shawn chime in on that.

Then, Shawn sits down with Mark to talk about Lone, collaborating with Chelsea Wolfe, and his Hollywood past. It becomes clear very quickly that Mark knows a hell of a lot about film, and this conversation is one for any music and movie buff.

Wanna hear it all? Then push play on the player to the right -- NOW!

Check out our fine filmed entertainment:

The Late Night Double Feature



Lone


Comments

Popular posts from this blog

The Animated Addict: "The Adventures of Tintin" (2011)

If you're a 40 + white dude, like myself, you may remember a comic series called " The Adventures of Tintin ".  I know I remember them.  This series, dating back to 1929, got turned into a animated feature film by Steven Spielberg in 2011. After buying a model of ship called The Unicorn, teenaged journalist Tintin finds himself on adventure that will take him from the high seas, to the low deserts, and from the distant past to the present.  With his trusty dog, Snowy, by his side, Tintin uncovers a story connecting two men across the centuries.. . The story is really quite good.  It's well crafted, and high paced- with just enough slow moments to build and develop the world and the characters.  This is the sort of adventure story you'd find in the old serials of the 1930's and '40's.  In fact, it felt like it was the sort of tale that you'd find Indiana Jones undertaking.  I found myself swept up, and swept along as our hero swung from one e...

Grace Victoria Patterson returns

What's this? Two podcasts From The Basement in less than nine months? Has the world gone mad!?! No, but when past Basement guest Grace Victoria Patterson asked nicely if she could return to this fine podcast, Jason and Shawn -- agreeable sorts that they are -- said yes. Hence we have this new episode for your ear holes! Grace provides an update on her career, which has seen the cheerleader-turned-actress appear in no fewer than eight films plus a TV series, with more projects on the way. She and Jason talk all about this, plus some other stuff. What kind of stuff? Stick with us! And stay tuned, as The Basement Boys discuss a whole slew of movies and television, including the Netflix Jimmy Savile documentary, The Batman, the horror romp The Cellar and more! It's podcasting that's so awesome, you'll be awesomed out by its awesomeness! What are you waiting for? Push play and enjoy!

Unlock your fate with The Puzzle

When my dad wasn't working, building stuff or being my dad, he was making puzzles. It was a guaranteed way for him to unwind. So it was with great interest that I sat down to watch Italian filmmaker Davide Melini's award-winning short The Puzzle. You see, the mother in the five-minute film likes to relax with puzzles just like my dad. Unfortunately, her good-for-nothing son keeps harassing her for money. Losing herself in her favourite passtime, the mother soon discovers that completing this puzzle might unlock a nightmare. The Puzzle has been an official selection at more European film festivals than you can shake a stick at, and was voted Third Best Italian Film at the Rome International Film Festival in 2008. Having watched it, I'm not surprised. It's a tight little film that hits you hard in the final few seconds. You can tell Melini cut his teeth as an assistant director for legendary Italian filmmaker Dario Argento. But enough chit chat on my part. See if yo...